THE ARTS SOCIETY COLCHESTER
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DateLecture
08 June 2017Marie-Antoinette and Elisabeth Vigée-Lebrun
11 May 2017The Bronzes of Ife and Benin and an Historical Review of the Art and Sculpture of Nigeria
06 April 2017Augustus John and Gwen John
09 March 2017Lawrence of Arabia: Excavating a Legend
09 February 2017Income and Inspiration: Financial Secrets of the Masters
12 January 2017Riviera Paradise: Art, Design and Pleasure on the Côte d'Azur in the 1920s and 30s
08 December 2016Will the Real Santa Claus Please Stand Up! The Transformation of St Nicholas, from Byzantium to Bari and Beyond
10 November 2016World War I and the European Avant-Garde
13 October 2016The Art of Enamelling
07 July 2016Lancelot 'Capability' Brown (1716-1783): Landscape, Art and Dame Nature
09 June 2016A Bar at the Folies-Bergère
12 May 2016Mars and the Muses: the Renaissance Art of Armour
14 April 2016Symbols, Emblems and 'Double-Entendre' in Dutch Genre Painting
10 March 2016A Marvel of Nature: the Life and Art of Painter Sofonisba Anguissola
11 February 2016Tapestries and their Role in Art and Design
14 January 2016Joseph Wright of Derby and the Men and Art of the Lunar Society
10 December 2015Wonder Workers and the Art of Illusion (The History of Magic through Art and Pictures)
12 November 2015The Lure of the East: British Orientalist Painting
08 October 2015Art and the Napoleonic Wars
02 July 2015Landscapes of the Imagination: the art and gardens of Humphry Repton (1752-1818)
11 June 2015Adventures in Three Dimensions: 20th Century Sculpture in Britain
14 May 2015William Blake, Samuel Palmer and 'The Ancients'
09 April 2015The Historical use of Wallpapers in the British Interior 1685 to Today
12 March 2015Why did Laura Knight become so famous?
12 February 2015Pearls and Pomegranates, Peacocks and Pipes: the hidden language of Renaissance Art
08 January 2015Are you sitting comfortably? The history of the chair from ancient to modern times
11 December 2014Three Wise men: Gold, Frankincense and Myrrh – The Traditions of the Magi
13 November 2014Casanova: Food-writer – art, travel and food – the seductive arts of the 18th Century
09 October 2014The Remarkable Collections of Isaac and Moïse Camondo
03 July 2014The Country House in the 20th Century
12 June 2014Venice in 18th Century London
08 May 2014Beauty in Western Art

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Marie-Antoinette and Elisabeth Vigée-Lebrun Marie-Anne Mancio Thursday 08 June 2017

Louis XVI’s Queen acted as a patron to Elisabeth Vigée-Lebrun, one of France’s most famous female artists (and one whose husband gambled away her hard‐earned fortune). Both women shared a dress designer in the innovative rags‐to‐riches Rose Bertin. It was Bertin’s fashions and Vigée-Lebrun’s naturalistic style of portraiture that created Marie-Antoinette’s image and attempted to defuse ‘the Austrian’s’ unpopularity. Explore their creative collaborations and learn what became of these remarkable women during the French Revolution.

Marie‐Anne Mancio trained as an artist before gaining a PhD in Art and Critical Theory from the University of Sussex. Has lectured in art history for the City Lit, Tate Modern, the Course, Art in London, London Art Salon, Dulwich Picture Gallery, the Nth Degree Club and many private art societies; also runs art history study tours abroad.